1972. In retrospect, the reader often discovers that the first chapter of a novel or the opening scene of a drama introduces some of the major themes of the work. Write an essay about the opening scene of a drama or the first chapter of a novel in which you explain how it functions in this way.
Many great authors manage to hint at major themes in their work in the opening scene. Edward Albee masters this in his absurdist play The American Dream. The play centers around several unhappy characters, specifically Mommy and Daddy, and their so-called American Dream. Albee uses diction and detail in the opening scene of the play to hint at one of the overall themes: that when people become dissatisfied in their personal lives, they turn to the fleeting and artificial satisfaction of consumerism.
The curtain rises on a relatively empty stage: just two armchairs occupied by Mommy and Daddy, a couch separating them. This furniture arrangement hints at the distance between the husband and wife, a detail Albee was adamant about in his stage directions. Other details demonstrate the dissatisfaction Mommy and Daddy feel in their relationship, such as the disinterested way that Daddy listens to Mommy talk about her day. They speak of dissatisfaction in other things that reflect their dissatisfaction with each other, such as the tardiness of whomever they are waiting for, as well as that person's inability to get things fixed. They say over and over again that "that's just the way things are today", as if they have no say in the matter. Diction also supports the idea that they have no control, as Albee uses words like "naturally" and "of course". Albee's diction and details show the audience right away that Mommy and Daddy "can't get satisfaction" from each other or their marriage.
The scene continues with Mommy telling Daddy about the new hat she had bought earlier that day. She says that she bought a beige hat but upon leaving the store and speaking with the chairman of her women's club, she discovers that the hat is actually wheat-colored. She storms back into the store, demanding a beige hat. When the store gives her the exact same hat, insisting it is beige, not wheat, she is "satisfied" and purchases the hat. After she finishes her story, Daddy says, "You did get satisfaction, didn't you." And Mommy says that she certainly did. The satisfaction, then, comes from the purchase made, not from being with Daddy or interacting with anyone in her life. Throughout the story, she continues to use the word "naturally", implying that she cannot change the fact that she only gets satisfaction through shopping. She even says to Daddy, "I can always go shopping." The details used to tell her story, as well as the specific diction choices, show the audience that since she isn't satisfied with her marriage, she turns to consumerism to fill the void.
Despite Mommy's apparent satisfaction, Albee is sure to make it clear that her satisfaction is false and only temporary. Mommy is originally satisfied with her "beige" hat until only minutes later when she decides that it is "wheat". This detail demonstrates the brevity of consumer satisfaction. Albee is telling us that, with consumerism, as quickly as we get what we think we want, we want something else. Albee also talks about the false nature of satisfaction through consumerism through Mommy's comment about the lights in the store. She tells Daddy, twice, that the store has "artificial lights" which caused her to think the wheat hat was beige. The artificial lights are representative of the artificial satisfaction Mommy finds in the store that they illuminate.
In the first scene of The American Dream, Albee manages to convey a major theme of the play. He comments on the fact that when people become dissatisfied with some aspect of their personal lives, they turn to consumerism to compensate. He is also sure to let his audience know that the satisfaction found in this way is false and only temporary. This important theme is introduced briefly in this first scene and is brought up again and again through the play.
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